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Inherent Vice (2015)

One of the more unforgivably brusque gripes I’ve overheard on a post-Inherent Vice screening is from someone who dares to contest Paul Thomas Anderson’s latest cinematic work. “What’s the point…
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Drive (2011)

Whilst derivative in surface, Drive emerges as an artfully crafted neo-noir that marries cinematic beauty with raw, gripping violence. What is more, it has the soundtrack of the year and boasts a layered, magnetic turn from Ryan Gosling, officially the coolest guy in cinema this year.
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